Friedrich Erhard Niedt (c. 1670 – 1730) was a German composer and theorist predominantly associated with the Baroque period. He is best known for his contributions to keyboard music and his theoretical writings, particularly his treatise "Die Grundlage der musicalischen Kunst" (The Foundation of Musical Art), published in 1700. This work is significant for its insights into counterpoint and harmony, reflecting the musical practices of the time. Niedt's genre primarily encompasses instrumental music, with a focus on keyboard compositions. His works include a collection of "Clavierstücke" that showcase his skill in utilizing the harpsichord and organ. Although he may not be as widely recognized as contemporaries like Johann Sebastian Bach, Niedt's theoretical contributions have influenced the understanding of Baroque music practices. His impact on music lies in his blending of practical musicianship and theoretical understanding, which provided a foundation for later composers and theorists. Niedt's emphasis on the importance of musical structure and compositional techniques has made his writings a valuable resource for musicologists and performers studying the Baroque era.